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The show is very funny, with some scene-stealing cameos from stars like Charli XCX or Bowen Yang, but at its heart is a tale of someone coming into his own and learning to let go of the expectations and walls he’s put around himself. The director of “Stranger by the Lake” and “Staying Vertical” reunites with cinematographer Claire Mathon (“Portrait of a Lady on Fire”) for a bleakly funny tragicomedy about the unavoidability of our desires and their destructive power.
“Blue Moon”
Ethan Hawke isn’t the first choice you would think of to play an embittered, messy bisexual — one who is several inches shorter than his lanky build, nonetheless — but somehow the actor nails it in “Blue Moon,” a biopic of acclaimed lyricist Lorenzo Hart from Hawke’s frequent collaborator Richard Linklater.
Written by “Letterkenny” creator Jacob Tierney, the show takes a cheesy premise — a decade-long love affair between two superstar hockey players — and makes it compelling, offering a look at the sacrifices queer people must make to survive in the sports world’s closet that’s neither cloying nor dismissive.
It’s a glossy, Southern-set thriller that leans hard into guns, sex, and red-state decadence. —WC
“Pluribus”
There are many interpretations of the central metaphor behind “Pluribus,” a show in which almost every single human being on Earth has been absorbed into a perpetually helpful and cheerful hive mind.
From heart-wrenching dramas to passionate love stories, these films have made significant impacts both within the LGBTQ+ community and in mainstream cinema.
Take a movie like Maurice, for example, a tender and profoundly moving adaptation of E.M. Forster’s novel, which beautifully depicts the journey of love and self-acceptance in early 20th century England.
Trying to find her way in this brave new world, Carol emerges as one of the most complicated and dynamic queer characters in recent TV memory, at turns deeply relatable and wildly unpleasant, equally grieving the death of her partner as she is lusting after the member of the hive mind that becomes her guide. Queer stories continued to thrive where risk and imagination are valued, from indie films that brilliantly explored queerness as both an identity and lived culture, to TV series that embedded LGBTQ characters into smart ensemble storytelling without apology.
—WC
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“The Long Walk”
“The Long Walk” earned its place among the year’s most essential LGBTQ releases not through political spectacle, but by depicting queer intimacy with brilliance under pressure. “The Best of Both Worlds” deepens Weard’s partial self-portrait as Michaela “Traps” Sinclair, and the filmmaker folds DIY intimacy, authentic trans friendship, and universal existential dread into a puzzle that feels less like a movie and more like a nervous system expanding.
Shot with a loose, communal energy and powered by a killer experimental spirit, “Castration Movie” rejects respectability without abandoning self.
It’s both intentionally a little boring and completely engrossing — a snapshot of a time in queer history often overlooked and forgotten. Dennis emerges as a fascinatingly complex queer character, a sort of gay incel who’s jealousy at Roman’s romantic relationships and clear lust for his friend threatens to break their precarious friendship.
Frank and forthcoming about a common disconnect in the LGBTQ dating pool, “Sauna” is rich in atmosphere but more importantly the chemistry of the leads. In a year with great animated TV shows, it’s no surprise that the queer and weird “Women Wearing Shoulder Pads” went slightly under the radar, but it’s a work that can delight those who can get on its specific wavelength.
Over eight 11-minute episodes, the Adult Swim show crams buckets of plot and more plot twists than can be counted on both hands into the wild tale of a Spanish guinea pig entrepreneur and her rivalry with a butcher shop mogul for control over the rodent’s fate in Ecuador. The result accurately reflected how gender and sexuality can shape all kinds of relationships and power dynamics, grounding the show’s over-the-top melodrama and campy performances in a hopeful, unexpected allegiance you could root for.
Navigating ovarian cancer alongside their partner, Megan Falley, Gibson anchors the project as a tender beacon of humor and romance, battling to accept their illness as part of the world’s beauty. The story of a man named Jérémie (Félix Kysyl) who travels to small-town France in order to pay his respects to his newly deceased old boss, “Misericordia” watches from a smirking remove as its protagonist begins to tug at the knotted psychosexual dynamics he shares with the dead man’s widow (Catherine Trot) and her oafish bruiser of a son.
Through all of its twists and turns, the film confirms Guiraudie as our keenest, canniest director to bring male longing and its fallouts and physical particulars back to movie screens.